Saturday, January 13, 2018

Thursday, January 11, 2018

Hugh Owen Meredith – 1878 - 1964

Painting by Berna Chapman – Queen's University Belfast

Tuesday, January 09, 2018

Vale Don McDonald

Statement from ACTU President Ged Kearney

The ACTU joins with the entire Australian Union movement in mourning the loss of Don McDonald, who passed away last week after a battle with cancer.

Don was a fearless advocate for working people and dedicated his life to the improvement of the lives of others. During his time at the Builders Workers’ Industrial Union he was pivotal in winning workers’ compensation, superannuation and redundancy pay for construction workers, historic achievements which have benefited untold numbers of workers in the decades since.

Don also fought to get TAFE courses run during business hours, so that apprentices didn’t have to study at night after working all day.

After the amalgamation Don became a national official with the newly formed CFMEU.

Having experienced firsthand the devastating impact the illness can have, Don established NISAD, an organisation working to discover a cure for schizophrenia.

He will be sorely missed, and my thoughts are with his family and his brothers and sisters at the CFMEU during this time.

Friday, January 05, 2018

Lyubov Popova

Lyubov Popova was one of the first female pioneers in Cubo-Futurism. Through a synthesis of styles she worked towards what she termed painterly architectonics. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy.

From 1914–1915 her Moscow home became the meeting-place for artists and writers. In 1914–1916 Popova together with other avant-garde artists (Aleksandra Ekster, Nadezhda Udaltsova, Olga Rozanova) contributed to the two Knave of Diamonds exhibitions, in Petrograd Tramway V and the 0.10, The Store in Moscow. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of Fernand Leger, whose geometry of tubular and conical forms in his series of paintings from 1913–1914 is similar to that in Popova's paintings.

From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas. She designed typography of books, production art and textiles, and contributed designs for dresses to LEF.

She worked briefly in the Cotton Printing Factory in Moscow with Varvara Stepanova.

Popova died of scarlet fever in 1924 in Moscow. A large exhibition of her work opened in Moscow from December 21, 1924 to January 1925, at Stroganov Institute, Moscow. The exhibition included Popova's works such as seventy-seven paintings, as well as books, posters, textile designs, and line engravings. "Artist-Constructor" was the term applied to Popova by her contemporaries in the catalogue of the artist's posthumous exhibition.